The Santa Trap

illustrated by Poly Bernatene

Bradley Bartleby is bad – so bad that he plans to trap Santa Claus and ruin Christmas.
With a house full of dynamite, guillotines and trap doors and a garden full of hungry tigers, what could possibly go wrong?

"Bernatene’s cinematic mixed-media illustrations work
wicked magic with Emmett’s darkly comedic prose ... an ideal
Christmas present for children who prefer Halloween."

PUBLISHERS WEEKLY - Starred Review

"A hilarious adventure.
The stylised illustrations complement the story brilliantly,
creating a wonderful darkly funny atmosphere."

THE SCOTSMAN

UK

UK Hardcover • ISBN-10: 1405091002 • ISBN-13: 9781405091008

UK Paperback •ISBN-10: 0330468057 • ISBN-13: 97-033046805

UK Mini-Paperback • ISBN-10: 1447236998 • ISBN-13: 978-1447236993

 

US

US Hardcover •ISBN-10: 1561456705 • ISBN-13: 978-1561456703

 

find your local bookshop Buy this book at amazon UK Buy at amazon US


Argentina Greek France
Click here for details of foreign language editions


have this book read by me on a free virtual school visit

 

divider


Spread 1 Spread 2
divider


The Santa Trap was a pet project for me and I was very particular about how the book developed, which is one of the reasons it took five years to go from conception to publication.

A lot of the inspiration for the story came from the Santa traps I built as a child. I was the sort of boy who, when I wasn’t building things out of Lego, was taking things apart to see how they worked and often using the pieces to make something else.

Like many children I had lain awake on the night of Christmas Eve, determined to catch a glimpse of Santa delivering presents to the foot of my bed, only to fall asleep before he arrived. Unlike many children, I decided that the solution was to build something to wake me when Santa eventually showed up. Strictly speaking, the things I built were alarm systems rather than traps. I didn’t want to take Santa captive - I just wanted to catch him in the act of delivering my presents.

The first traps I built were very crude. I’d balance things on top of my bedroom door so they'd come down with a crash when the door was opened. But Santa had no problem disabling these, so as the years went by, my traps became more sophisticated and I started using wires, batteries and buzzers.

One year, I made a pressure sensitive pad from two sheets of aluminium foil and a sheet of perforated polythene. I laid the pad next to my bedroom door and covered it with a rug – but Santa still managed to slip past without stepping on it!

Eventually, I came up with what I considered to be a Santa-proof approach. I strung four thin nylon trip-wires around my bedroom and tied the ends to four large beads resting on one end of a Lego see-saw. The opposite end of the see-saw was wired up to a battery-powered alarm. If a trip-wire moved, the bead it was tied to would be pulled off the see-saw, causing the opposite end to drop and close the circuit on the ear-piercing alarm.


This diagram, taken from one of my school presentations, illustrates the final trap that I built and shows a recreation of the Lego see-saw device used to trigger the alarm.

In addition to real tripwires, I strung a similar number of decoy tripwires around the room. It was impossible to tell the real tripwires and the decoys apart – so they both had to be avoided. I tested the trap myself and — even with the light on – I was unable to cross the room without setting off the alarm. The whole system took me so long to build and test that I didn't get into bed until almost midnight, by which time my bedroom looked like an enormous web, criss-crossed with gossamer threads, with me lying spider-like at the far end.

The strict code of secrecy surrounding Santa prevents me from telling what happened that night*, but I can say that it was the last Santa trap I ever built.

The other inspiration for the book was an illustration by Ronald Searle for one of the Molesworth books written by Geoffrey Willans. The books were originally published in the 1950s. I bought an omnibus edition of them at jumble sale when I was in my teens and have been a big fan of them ever since. The third book, How to be Topp, includes a "Xmas nite" cartoon of Molesworth and his friend Peason prying open the jaws of a huge bear trap in preparation for Santa's visit. The image seems to be Searle’s own invention (there is no reference to it in Willans’s text) and it is the sort of deliciously dark humour that Searle excels at. Unlike my harmless alarm systems, Molesworth’s Santa trap is unmistakably life-threatening.


This Ronald Searle illustration was another inspiration for the story.

When I came across the cartoon again in 2005 it got me thinking about a story. What sort of a child – apart from Molesworth and myself – would try to trap Santa? How would they go about it? And why would they want to do such a thing?

I decided that the child in my story would be an out-and-out villain, with the resources of a wealthy family and a long-standing grudge against Santa Claus.

When I mentioned the idea to my agent, Caroline Walsh, she thought it was terrific and made the unprecedented (for me at any rate) pronouncement that if I wrote it, she could sell it, so I set about writing it immediately - and then came to an almost immediate stop …

The problem was that if Bradley (as the boy in my story was now called) was to trap Santa, Santa would have to visit Bradley’s house. But if Bradley was as villainous as I wanted him to be, why was Santa visiting him? Surely such a bad child did not deserve any gifts? This may seem trivial to you (as it seems to me now), but it seemed an insurmountable obstacle at the time, so I decided to put the story to one side until I found a way around it.

Over a year - and two Christmases later - I finally came up with a solution that I was happy with: Santa still visited Bradley because “Santa is such a kind-hearted old fellow that he believes, no child, even one as bad as Bradley, should go without a Christmas present.”

Now that I had Santa’s motivation sorted, I was able to write up the whole story without any further delay. I sent it off to Caroline and - as she had predicted – she had no difficulty finding publishers who wanted to take it. We ended up with similar offers from three different publishers. All three were good publishers, who I’d worked with before, but they all had different takes on the story. One of them was uncomfortable with a child being portrayed as irredeemably bad and wanted him to become Santa’s little helper at the end of the story. Another felt that some of the traps Bradley built, such as the guillotines, were a little too dangerous and should be replaced with something less life-threatening. Only the third publisher, Macmillan, were happy to accept Bradley for the black-hearted brat that he was and that’s one of the chief reasons the book went to them.


A detail from Poly's early mood sample.

Another reason for choosing Macmillan was that I had a particular illustrator in mind for the book and Macmillan editor, Suzanne Carnell, had proposed the same illustrator.

The illustrator was interested and agreed to do a sample illustration for the book. However months went by and, despite prompting from Suzanne, the sample did not appear. After over a year of waiting we finally realised that it was never going to appear and I heard subsequently that the illustrator had emigrated to Canada without telling us!

Having been disappointed by the first illustrator, we set about finding an alternative, only to have a similar thing happen again — and again — and again! Part of the problem was that I had definite ideas on how the book should be illustrated - I wanted illustrations that would be strong on detail, but also had a touch of the dark humour evident in the Searle cartoon - and this narrowed down the choice of illustrator immensely. Nevertheless, every six months or so we’d find a suitable illustrator who seemed to be interested in doing the book, but they'd always back out before submitting an artwork sample.

After going for three years without securing a suitable illustrator, the book’s new editor, Emily Ford, told me that she thought she’d found another candidate and a couple of weeks later she sent me not only a character sketch but a completed colour sample from Argentinian illustrator Poly Bernatene. From the moment I set eyes on the sample I knew that not only was the search finally over, but that we had ended up with the ideal illustrator. It was clear from his first drawings that Poly had given Bradley just the right mix of menace and mischief and that his parents had just the right attitude of fearful apprehension.


Poly's colour rough for one of the spreads. Move your mouse over the image to see the final spread.

Poly soon started work on the book, producing roughs for each spread. For most illustrators, roughs would take the form of black and white pencil sketches showing the composition of each spread. However Poly is unusual in that he produces his roughs in Photoshop allowing him to indicate both colour and composition. Once a rough has been fixed and agreed upon, Poly works over it, adding tone, patterns and textures to create the final artwork. I love the way that Poly has applied patterns to the carpets of the Bartleby mansion, giving the illustrations a lovely sense of depth and richness.

It’s been a long wait, but I’m thrilled with the way the book has turned out. Each of Poly’s spreads is full of character and amusing detail. The spread showing the snowy mansion exterior, for instance, is far more spectacular and atmospheric than I could have hoped for.

 

* Which is a shame because it was extremely funny.

For
MY FATHER
for helping me hone
my trapping skills
and with apologies to
the rest of my family for
disturbing their sleep.

Illustrations © 2009 Poly Bernatene. Reproduced by permission of Macmillan Children's Books.
divider



“Bradley’s parents always gave him whatever he demanded, not because they thought he deserved it, but because they were terrified of him.” Bradley Bartleby was “born bad,” and as a result, he gets socks from Santa every Christmas. Fed up, he spends an entire year turning his parents’ mansion into a diabolical trap for the jolly old elf, one that involves dynamite, guillotines, and tigers ... Bernatene’s cinematic mixed-media illustrations work wicked magic with Emmett’s darkly comedic prose, as Bradley’s plans backfire explosively. An ideal Christmas present for children who prefer Halloween.

PUBLISHERS WEEKLY - Starred Review

A beady-eyed brat sits in a red, thronelike chair, glaring out of the cover in this hilarious, bizarre holiday story ... The cleverly constructed plot unfolds with perfect comedic timing and dry wit, complemented by digitally produced mixed-media illustrations that have a suitably sinister, magnetic charm. Bernatene's artwork uses dark colors, shadows and cinematic perspectives to bring Bradley's world into believable focus. Now, some will find these devilishly delinquent developments positively beyond the bounds of good taste. But many others will say, "Naughty. But nice."

KIRKUS REVIEWS - Starred Review and one of the 100 Best Children's Books of 2012

I’ve seen a giant stack of new holiday-themed picture books this year. While many of them are good, I find this one the most outstanding in terms of sheer entertainment value. … The no-holds-barred humor – both author and illustrator are not afraid to pull out all the stops with Bradley’s inventive weapons – is refreshingly funny. Emmett builds the tension well, and Bernatene’s digital mixed media illustrations are, at turns, over-the-top comical, as they should be, but then strangely beautiful in spots.

Julie Danielson, KIRKUS REVIEWS

This funny, beautifully illustrated story will have you talking about the importance of “being good for goodness’ sake.”

Tracy Grant, THE WASHINGTON POST

A hilarious adventure. The stylised illustrations complement the story brilliantly, creating a wonderful darkly funny atmosphere.

THE SCOTSMAN

Poly Bernatene's illustrations make the manhunt sensationally watchable. Split screens, panoramas – it's like a movie on the page.

Nicola Smyth, THE INDEPENDENT

A dark, funny and refreshing alternative to some of the more saccharine Christmas offerings.

THE BOOKSELLER

Jonathan Emmett comes up trumps with this plum of a Christmas story ... Argentinian illustrator Poly Bernatene is at his fantastical best here, and his richly textured backgrounds and darkly comical characters form a winning combination with the hilarious text. Bernatene sets up delicious contrasts between the genteel and terrified parents and the stampeding elephants and sizzling dynamite of Bradley’s world.

Catherine Ann Cullen, INIS MAGAZINE

'TIS the season to see who has risen to the challenge of producing a good Yuletide story. Jonathan Emmett and illustrator Poly Bernatene have exceeded the brief ... the denouement is amusing as well as satisfying.

Jill Rowbotham, THE AUSTRALIAN

Acerbic, biting and beautifully drawn, The Santa Trap toes the Christmas line between wholesome and wicked, making for a fantastically funny book that’s stunning to look at. We recommend this to all of those Lemony Snicket fans out there, who love their humour to have a bit of a bite.

POPCULTUREMONSTER

The Santa Trap is up there with The Nightmare Before Christmas as a perfect alternative (and dark) Christmas story. It is certainly the perfect antidote to those saccharine sweet Christmas stories and fairy tales that get wheeled out every year, and it would be a crime if this does not one day find itself on the screen, whether big or small.

THE BOOK ZONE

THE SANTA TRAP is an offbeat, funny Christmas story with as much of a moral lesson as more heartwarming Yuletide fare but a lot more laughs. ... It's a wonderfully different holiday book both kids and parents will enjoy.

Regan McMahon, COMMON SENSE MEDIA

A great alternative to the usual Christmassy tales that appear on the shelves at this time of year ... A great book for slightly older readers to enjoy for themselves and wonderful for parents to share with those younger.

Damian Harvey, ARMADILLO MAGAZINE

When I saw the cover of The Santa Trap by Jonathan Emmett, I knew I had to read it. From the darkly mischievous boy claiming the throne-like red chair to the background cluttered with contractions of some kind, I knew it would be a fun read. Was it ever. … The deep hued illustrations by Poly Bernatene work in perfect unison with the story text. The expressions on Bradley’s face and his body language add a healthy dose of tongue-in-cheek humor as each of his sinister traps are sprung not by Santa, but by himself.  The Santa Trap is a must-have addition to any library, even if for merely its humor. But it could also serve as a kindly reminder to even the most “spirited” of children that Santa is not to be trifled with.

Denna Graves – Staff Reviewer, YA AND KIDS BOOKS CENTRAL

This a great alternative to traditional Christmas stories, bringing a darker side to the festive season, but with a satisfying enough resolution which won't leave younger audiences wondering whether Santa will actually be around to deliver their presents!
Fantastic fun!

Melanie McGilloway, LIBRARY MICE

Everything about this book is a joy, and with all the Holy Seriousness found in so many of the festive selections this time of year, it’s awfully nice to find a book that is just flat out funny.

Donna McKinnon, 32 PAGES

Emmett has created a holiday picture book with a lot of edge, plenty of weaponry and some pretty spectacular explosions ... The art by Bernatene works so well here. It has plenty of zing and pop with its bold colors and modern feel ... A dynamic and very funny holiday book that will work particularly well for elementary-aged children who will delight in the weaponry, the trap, and the twist at the end.

Tasha Saecker, WAKING BRAIN CELLS

One read, and this will become a family favorite ... It has the clever plot that is creepy and darkly Gothic, yet so funny you end up with tears streaming down your cheek. The illustrations are mesmerizing and the text is madcap funny ... Kids will love this story, adults will love this story ... The Santa Trap is destined to be a classic ... If you are looking for a hilarious, cleverly plotted Christmas story, one you can share with all ages, The Santa Trap is the one to get.

Sue Morris, KID LIT REVIEWS

A humorous read of vengeance gone wrong, "The Santa Trap" is an original and much recommended children's Christmas picturebook, very much recommended reading.

MIDWEST BOOK REVIEW

A captivating children's picture book which takes an entirely unexpected approach to the Christmas season ... an abundance of splendid illustrations ... a pleasure to read aloud ... we can highly recommend it.

Susan Syddall, BEST CHILDREN'S BOOKS

Not a nice and fuzzy Christmas book, but destined to become a holiday favorite for those who can't resist a little naughty. I HIGHLY RECOMMEND, The Santa Trap as a well-crafted picture book to be enjoyed by parents as much as children.

Trudy Zuflelt, BOYS AND LITERACY

I ADORED this book … The story itself is fantastic … a GREAT new addition to anyone’s holiday reading list, only with a twist ... Recommended read for all ages.

SATISFACTION FOR INSATIABLE READERS

If you’ve read all of the traditional Christmas books this year and are looking for something new and different, The Santa Trap is the perfect choice! … This zany, hilarious story has great comedic timing … full of exciting twists and turns, and the surprise ending will have kids and parents roaring with laughter.

YOUTH LITERATURE REVIEWS

divider

Translation

Language
Title
Translator
Publisher
Hardcover ISBN
BUY at Amazon
Argentina
Argentininian Spanish
Una Trampa para Papá Noel
Silvia Graciela Balseiro
Macmillan
9789876721547
 
France
French
Une piége pur le Pére Noël
 
Éditions [MiC_MaC]
9782362211386
Hardcover
Greek
Greek
Metaixmio
9789604559954